Dissonant Connections, 2025

Mixed media sculpture
13” by 11”
In collaboration with Golden Reishi

A Victorian-style mourning wreath of Golden Reishi mycelium, human hair (the artist’s), and naturally dyed fabric, exploring grief, regeneration, ecological slow violence, and the wisdom of natural systems.

Dissonant Connections explores the entanglement of mourning, regeneration, and the wisdom of natural systems through a materially and symbolically rich installation. At its core is a Victorian-style mourning wreath, a historical form used to publicly mark grief, reimagined using my own lost hair—shed during a period of intense personal and collective grief. Intertwined with this intimate material is living mycelium, which grows through and around the strands, acting as both a grounding force and a metaphor for interconnectedness, reciprocity, and resilience.

Informed by Donna Haraway’s assertion that “mourning is intrinsic to cultivating response-ability,” this work positions grief not as an end, but as a generative process—one that invites us to reconfigure how we relate to each other and the more-than-human world. Haraway reminds us that genuine mourning requires us to dwell with loss, to understand how the world has changed, and to commit to renewing our relationships in its wake. Dissonant Connections takes up this call, inviting a “grieving-with” that resists human exceptionalism and honors the emotional realities of other beings who are also navigating extinction, displacement, and ecological trauma.

Shown at:

Things are Looking Up, Brompton Cemetery Chapel, London, EN

By embedding mycelium—a decentralized, responsive organism—within a structure of human mourning, the piece bridges cultural rituals of loss with ecological systems of care and regeneration. It critiques extractive and individualistic frameworks by proposing fungal intelligence as a guide for healing: one that is collaborative, attentive, and grounded in shared vulnerability. The slow, organic spread of mycelium becomes a quiet act of resistance, forming new life through decay, just as we must form new futures from the remnants of past systems.

This work also speaks to the embodied dimensions of slow violence—the way systemic oppression and environmental degradation settle into both land and body. Hair, as a remnant of the body, holds the memory of stress, illness, and transformation. As it merges with fungal growth, the piece acknowledges the weight of mourning while cultivating space for long-term, collective recovery. Sustainability, here, is not simply about preservation—it is about transformation. It asks: How do we move forward with loss? How do we nurture life in the shadow of destruction?

As future ancestors, our responsibility is to tend to these networks of interdependence—with attentiveness, humility, and care. Dissonant Connections offers a vision of grief as a practice of reflection, connection, and ultimately, regeneration—where mourning becomes the soil for new forms of kinship, survival, and shared becoming.

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